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As the south-western art magazine marked its 50th anniversary in May 2021, the past and future toboggan are celebrated. Here we make a five-star spotlight, which was taken in the special 50th anniversary of the journal. These artists define the next era in the western craft as cool, brave perspectives in the genus. In this complete article online, find out more about your work and other artists who conduct the way in Western art.

Adam Smith

How is your work developed in recent years?

I always strive to grow as an artist. One of the best parts of the artist is always learning something new. In recent years, I enjoyed exploring the most complex ideas and compositions. It is not always easy with the new ideas I haven’t seen yet. However, these challenges are essential for my growth. Some paintings will want years before I suffered from all the details.

Where do you find inspiration?

I find the largest part of my inspiration in the field. I like to take rides and be the subject I paint. Near Yellowstone National Park, life certainly has its advantages. I tried to visit every time I could. I also find inspiration near home. Three years ago, we had a fox cave on our plot and got the joy of seeing five lifted fox kits.

Tell us about your studio.

My studio is in my house. It’s not a very big room, but it’s the perfect size for me. I have several unique objects in my studio, including dinosaur bones, a megalodon tooth, and an African wood-based elephant sculpture. I always have a little noise while I paint, so I also have a TV and a stereo system. My windows look at a beautiful view of the Bridger Mountains.

Favorite non-style-conditioned what?

They wished superhoche varieties of pepper, which can be difficult in Montana. Our growing season is short. I also created the pepper spirit that I called Caldera.

Daniel Keys

How is your work developed in recent years?

I still pulled the same topics that have always been, so my persecutions haven’t changed much. I always try to improve my ability to paint the things I felt accurately and still feel. I continue to hope for a very ancient time on this persecution.

Where do you find inspiration?

Nature, mostly. Growing like so many flowers like GRESCO and being inspired by painting them isn’t easy!

What is the thing you are more proud of?

I developed the pallet project in the last ten years with the school of the Scottsdale artist. It is a two-day tutoring program for artists between 17 and 22 years. Now it’s the fifth year.

Tell us about your studio.

There is nothing exceptional, just a room for guests in my house. I created cool-temperature-environmental lights and a nice Persian carpet, but above all, it’s easy and simple.

David Grossman

How did your job develop in recent years?

My job is increasingly based on intuition that is more expelled by emotions than trying to capture the peculiarities of a particular landscape. The longer work, the more I hope my Art will transmit a sense of peace and enables the space for contemplation. So many fears and distractions surround us, so I hope my paintings can be memories of being surrounded by beauty when we stop and notice.

Where do you find inspiration?

From the world of seeing me, especially when they are in nature. Also, from the study of art history and reading poet.

Tell us about your studio.

It is a converted garage with a car with good light, white walls and a pile of paint. The study connects to our house, making it easy to take snacks and tea too frequently while working. The room is simple and nice practice, like me.

Jill Soukup

How did your job develop in recent years?

I canceled more city landscapes, but lately, my work has moved mainly on Western and horse themes. I also dug more thoroughly into understanding the value and design that richer my paintings.

Where do you find inspiration?

My inspiration comes from different sources, including visits to Ranchlands (a running ranch in Colorado Springs and Moscow, CO) and cool drawing design and observing natural objects.

What do you hope to reach in the coming years?

I hope to show some topics based on certain concepts I persecuted. I can’t say what I’m still!

If you were not an artist?

The things of a metaphysical nature were always interested in me: dreams, consciousness, transcendental. So I would see if I could touch something in these lines.

Kathryn Mapes Turner.

How did your job develop in recent years?

I have increasingly focused on animals. My charm and appreciation of them are increasingly in-depth. I would like to have the greatest understanding of them through my work of Art and share it with the viewer. My objective is to seize your heart and vitality in an elegant and distilled way.

Where do you find inspiration?

I don’t find any lack of inspiration in my native Jackson Hole, which is part of the largest Yellowstone ecosystem – supports incredible biodiversity and large mammals.

What is the thing you are more proud of?

It is not a specific prize or an individual result, but rather the canvas miles I painted, the accumulation of time dedicated to negotiating and drawing. These are the stacks of the newspaper’s print bats that have been made during literacy and landscape education studies that nobody sees. Previously, my teachers insisted that there were no links to the painter. I am proud of how I fell in love with the art image process and not its results.

Tell us about your Art.

My favorite room is my studio art in the world! It is full of art accessories, easel, design of tables, music and art books. It has a perfect northern light with the most incredible view of the full assortment of Teton and is less than a quarter of millet from the Grand Teton National Park border. I regularly see Bison, Elche, Elk, Hirsch, and Fuchs directly out of my window.